Audio Blog: Google’s Gigabit Fiber Network
My first foray into audio blogging covers Google’s announcement of their plans for a blindingly fast fiber optic network.
Posted via email from Dr. Frank Ramblings, Ph.D.’s posterous
My first foray into audio blogging covers Google’s announcement of their plans for a blindingly fast fiber optic network.
Posted via email from Dr. Frank Ramblings, Ph.D.’s posterous
In my first video blog, I talk about the iPad and why I want one, despite the recent negativity.
Almost three years ago, Apple really gave the smartphone market a jumpstart with the iPhone. Since then, the iPhone has completely changed the public’s idea of a smartphone. Long gone are the days of the Treo. In the last year, Google has thrown their hat into the ring with their Android operating system. First there was the Android G1, and then more recently the Droid, with some less noteworthy phones in between. Earlier this week, the first Google-branded phone was unveiled: the Nexus One. This phone is available “unlocked,” which means that you can buy it directly from Google and use it with your existing cell plan (though it’s not available on all carriers), or you can buy the phone at a lower price with a contract from your cell provider. The big question on everyone’s mind is whether Android can be an “iPhone killer.” Many thought the Palm Pre would be the phone to slow Apple’s iPhone momentum, but six months after its release, it seems the Pre was nothing but a blip on the tech radar. In the last few months, especially since the release of the Droid and Android version 2.0, Google has begun gaining a lot of ground in the battle.
But hold on a minute, haven’t we seen this story somewhere before? Think about it. In one corner, we have Apple developing not just the OS, but the phone hardware to go with it. And in the other corner, there’s Google, who is developing the OS and making it available to any manufacturer willing to license it. (Yes, the Nexus One is Google-branded, but it is actually manufactured by HTC for Google.) To me, this seems awfully similar to the Mac vs. PC debate. Apple makes both Macintosh hardware and the Mac OS, while Microsoft only makes Windows (and other software) and licenses it out to manufacturers. In the case of Mac/PC, there is arguably no real winner. Windows enjoys greater market share at a lower price point, but Apple offers a more aesthetically pleasing environment and better customer support. Apple was out of the game for a good portion of the 1990s, but since Steve Jobs’s return, the company has been on a giant upswing. Many Windows users are making the jump to Mac because to them, the ease of use and quality of Apple products outweighs the (outrageous) price tag.
So in the smartphone scenario, does Google represent Microsoft and Apple represents… Apple? You could certainly make that argument. But who will win? That’s a little more difficult to answer. Though the iPhone is widely considered the best phone on the market, there have been a number of complaints about the closed nature of the App Store. Apple has a very strict, yet at times seemingly arbitrary approval process for apps that are submitted to their store. Speaking as someone who actually has an app in the App Store, I can tell you that the process can be pretty bumpy, and sometimes things are rejected for no reason whatsoever, and then accepted when resubmitted without revision. So apparently, depending on whether or not Apple’s App approvers had a good sandwich for lunch, the same app might be rejected on Monday and then approved on Tuesday. That’s very discouraging for developers looking to monetize. If a company dedicates resources to developing an app, only to have that app rejected by Apple at the last minute because the approver has a headache, they would be better off saving their money and not developing the app in the first place. Android, on the other hand, is an open platform in nature. It’s one of many flavors of Linux, the free, open-source operating system. While there is an Android Market for apps, users can get apps from anywhere, even from the developer’s website. Also, updates are available directly from the app developer. So once you’ve downloaded an app to your Android phone, you can get updates whenever they are released by the developer. Apple requires that updates be submitted for approval before they are distributed to users. Again, developers fear that updates might be rejected. Plus, the fact that Android offers seamless Google Voice integration while the iPhone offers none at all could be a real turn-off to some people. I know it’s a factor I would consider.
However, things aren’t perfect in Androidland, either. While the openness of the platform allows for lots of great apps, it also allows for terrible ones. Apple exercises some level of quality control over the apps it approves. Google makes it easy for anyone to develop and distribute an app, regardless of how good or bad it is. In addition to this, different Android phones have different capabilities. For instance, the G1 doesn’t have multi-touch capabilities, but the Droid does. How is a developer supposed to deal with something like that? iPhone developers deal with a more-or-less level playing field. Most apps work on all iPhone and iPod Touch models because Apple controls the hardware. But Android developers have to deal with many different handsets running different versions of the Android software. People like Alex Lindsay would rather stick to iPhone development because they know their software will run on all of the hardware it was designed for.
Still, there is something to be said for hardware options. When you get an iPhone, you only have a choice between the 3G or the faster 3GS. And you’re stuck with AT&T. When you opt for an Android phone, you have a wide range of options before you. The Droid offers both an on-screen keyboard as well as a physical one, but the Droid Eris only has the on-screen one. Some phones offer multi-touch, others don’t. You can pick the phone that’s right for you, on the network that works best for you, whether it’s AT&T, Verizon, T-Mobile, or Sprint.
I’ve wanted an iPhone since the day it was announced, but I just can’t afford a data plan right now. On the other hand, I wasn’t really excited about Android at first, but the increase in positive feedback since the Droid’s release has me very interested now, especially in the Eris and Nexus One, though again I wouldn’t be able to afford the data plan. While Apple has a bigger App Store, I think Android’s open nature could allow for all sorts of apps that Apple would never approve under the current model. I expect Android will continue to grow as a greater variety of phones running the platform become available. It might even dominate the smartphone market for some time. But I’m sure Apple has something up its sleeve with the next iPhone model, whatever it may be. And eventually, just as many people are abandoning their Windows PCs for Macs, I think we might see Android fall out of favor in a couple of years as the public turns back to Apple. But we shall see. The smartphone is still in its early stages. This week at the Consumer Electronics Show in Las Vegas, many new Android models will undoubtedly be introduced. How successful they will be is still a mystery. The really interesting discussions will come about a year from now when significant hardware and software modifications have been made to both iPhones and Android phones and few ideas have been shared (or stolen). At that time, we’ll have a much clearer picture of the better phone. Right now, I’m just glad to see that Apple finally has some serious competition in the smartphone market and I will eagerly and attentively continue to watch how the battle unfolds.
In Life After the 30-Second Spot, author Joseph Jaffe states clearly and repeatedly that the 30-second television ad is a dying element of years gone by. He seeks to offer methods that businesses can use to invigorate their brand names by using new media alternatives to traditional advertising. Jaffe lists 10 Tenets for Marketing to a New Consumer and he offers 10 approaches that he says are changing the face of advertising and marketing. His overall premise is that the 30-second TV spot is dead, and that advertisers need to face reality and make effective use of new media alternatives if they are to succeed in the high-tech future that is already beginning to assert itself. He makes some valid points, as well as a few that have already been disproven in the short time since the book was written. Nevertheless, his ideas are thought provoking and I found myself agreeing with much of what he had to say.
ep•ic (adj.): heroic; majestic; impressively great
Epic. That’s the best word I can use to describe Star Wars in Concert. As I write this, the show ended about and hour and a half ago. What an amazing show! For those who aren’t aware, Star Wars in Concert is a travelling show consisting of a 86-piece orchestra, a huge choir, lasers, lights, the live narration of Anthony Daniels (a.k.a. C-3PO), and a 100-foot high-definition screen displaying clips from all six films synchronized to the music. To call it a fun and unique experience would be an understatement.
Read my full review after the jump.
It’s finally here! Friend of the show Shannon joins Frank for this public service episode of FMF. We hope you will learn much from this totally serious and not at all tongue-in-cheek episode. If you like Tornados, Muppets, Terminators, Texas, or One Tree Hill, then this is the podcast for you!
A few months ago, I reviewed Windows 7 here. At the time, I was using the Beta version. Since then, I’ve upgraded to the full version that was officially released two weeks ago. I’m happy to say I’ve posted an updated review over at YuBlog.org, a great blog dedicated to user-submitted content. I hope to continue submitting articles there in the future. You can read the article here. Leave comments!
Twice in the last three weeks, I’ve guest-hosted Castlecast, a podcast about ABC’s Castle (starring Nathan Fillion). I’ve been listening to the podcast since it started this summer, and I’ve really been enjoying it. John and Heidi do a great job recapping and discussing new episodes, delivering Castle-related news, and talking about spoilers for upcoming episodes. Heidi hasn’t been able to host the show lately (feel better, Heidi!), so John’s been asking his fellow podcasters to step in. I was on the podcast two weeks ago for Episode 9: Fool Me Once and again this week for Episode 11: Vampire Weekend. The most recent episode was a panel discussion featuring John, Crystal, Larissa, Nathaniel, and myself. I had a great time on Castlecast and I hope to be on it again some time. Thanks John and Heidi!
The Life of Joe Chaminade.mp3 (2912 KB)
Imagine a time when going to the movies was an all-day affair with no color picture and no sound. Doesn’t sound like much fun, right? You sat in the theater for 3 or 4 hours at a time, the movie was in black and white, and the actors were mute! Was there complete silence in the room while the movie played? No, not exactly. If you were at a cheap theater in a small town, someone would probably play a piano in the theater to provide a live soundtrack to the film. In a big, fancy theater in a large city, a live orchestra would accompany the movie. But in theaters across America, moviegoers enjoyed the sound of a live theater pipe organ, an instrument most people today have never even heard of.
So what’s the difference between a theater pipe organ and say, a modern church organ? Well for starters, many church organs today aren’t pipe organs. They’re electronic organs. They mimic the sound of a pipe organ, but they’re really hi-tech synthesizers with good amplification systems behind them. A traditional pipe organ uses the keyboard to trigger the blowing of air through pipes of varying sizes to create different tones. A good theater organ goes a step further and provides sound effects along with music. This is achieved with actual props that make familiar noises. At my high school, we were lucky enough to have a restored theater organ in the auditorium. That organ has drums, cymbals, whistles, bells, and even an authentic horn from a Ford Model T. The result is a novel and unparalleled moviegoing experience.
Today I actually visited the alma mater for a screening of the 1925 silent classic The Phantom of the Opera. The event was sponsored by the New York Theater Organ Society (NYTOS), a state-wide chapter of the American Theater Organ Society. Just as it would have in 1925, the program opened with a short comedy film. In this case, it was Laurel & Hardy’s “Habeas Corpus.” I’m a big fan of Laurel & Hardy, but I’d actually never seen any of their silent work. I’m happy to say it was as hysterical as any of their talkies. Then after a word from the organist, the feature presentation began.
I saw Phantom for the first time a few months ago, and I enjoyed the film quite a bit, but there’s nothing quite like live organ accompaniment. It was a unique experience indeed. I’ve been to a number of other NYTOS events, but this was by far the best. I was transported back to 1925. The music kept me totally in the moment. If you ever have a chance to experience a theater organ, absolutely do it. The wide array of available sounds makes a theater organ a one-man orchestra.
Even without the benefit of a film, a theater organ can tell a story in sound. Don’t believe me? Listen to the mp3 embedded in this post . I recorded it at my high school during a demonstration a few years back. I love it because it really shows how you can get the feel for a story from the music alone. Imagine adding a silent film into the mix, and you’ve got yourself a pretty awesome afternoon of entertainment!
Posted via email from Dr. Frank Ramblings, Ph.D.’s posterous
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